“You left a glove behind you, the first day you ever came to our house,” Mary explained. “And I kept it.” “I wonder how many of my ideals will be left to me,” sighed Joan. “I always used to regard the Press as the modern pulpit.”!

“You’re not offended?” he asked. “At my thinking you beautiful?” he added, in case she hadn’t understood. Joan was about to offer comment, but was struck dumb with astonishment on hearing McKean’s voice: it seemed he could talk. He was telling of an old Scotch peasant farmer. A mean, cantankerous old cuss whose curious pride it was that he had never given anything away. Not a crust, nor a sixpence, nor a rag; and never would. Many had been the attempts to make him break his boast: some for the joke of the thing and some for the need; but none had ever succeeded. It was his one claim to distinction and he guarded it.

Returning to the interior, Joan had duly admired the Cheyne monument, but had been unable to disguise her amusement before the tomb of Mrs. Colvile, whom the sculptor had represented as a somewhat impatient lady, refusing to await the day of resurrection, but pushing through her coffin and starting for Heaven in her grave-clothes. Pausing in front of the Dacre monument, Joan wondered if the actor of that name, who had committed suicide in Australia, and whose London address she remembered had been Dacre House just round the corner, was descended from the family; thinking that, if so, it would give an up-to-date touch to the article. She had fully decided now to write it. But Mary Stopperton could not inform her. They had ended up in the chapel of Sir Thomas More. He, too, had “given up things,” including his head. Though Mary Stopperton, siding with Father Morris, was convinced he had now got it back, and that with the remainder of his bones it rested in the tomb before them. “It’s a noble ideal,” he said. “La Patrie! The great Mother. Right or wrong, who shall dare to harm her? Yes, if it was she who rose up in her majesty and called to us.” He laughed. “What does it mean in reality: Germania, Italia, La France, Britannia? Half a score of pompous old muddlers with their fat wives egging them on: sons of the fools before them; talkers who have wormed themselves into power by making frothy speeches and fine promises. My Country!” he laughed again. “Look at them. Can’t you see their swelling paunches and their flabby faces? Half a score of ambitious politicians, gouty old financiers, bald-headed old toffs, with their waxed moustaches and false teeth. That’s what we mean when we talk about ‘My Country’: a pack of selfish, soulless, muddle-headed old men. And whether they’re right or whether they’re wrong, our duty is to fight at their bidding—to bleed for them, to die for them, that they may grow more sleek and prosperous.” He sank back on his pillow with another laugh. “Not often,” she answered.